“The Mad People of Paris” follows the aftermath of the Bataclan massacre in 2015 as the narrator, a researcher visiting the city 10 days after the attack, meets people still in recovery and describes the grief carried by Parisians as “a kind of invisible shawl.” Calderón’s precise prose here (and throughout) is wonderfully translated by Bunstead, as the narrator remarks how “the silence of those days was a scarf made of the very air, wrapped close around the necks of the locals and we foreigners alike.” Calderón brings a delicate focus to his characters’ strange encounters. El escritor venezolano Rodrigo Blanco Calderón fue el ganador de la III Bienal Vargas Llosa, con su obra The night, una historia que relata las consecuencias de la situación social y política en la Venezuela actual. Late at night, while shooting the breeze with other cabbies, the driver learns about “Big Tits,” his colleagues’ name for a woman whose supposedly rides naked around town on her motorcycle, and becomes obsessed with seeing her. La Vanguardia 'An exciting, unapologetically literary. El Nacional 'One of the big names in today's Venezuelan literature a literature that shows the best of itself outside its frontiers'. “Black Holes” follows a new taxi driver trying to support his teenage son. After reading the stories by Rodrigo Blanco one harbours the nostalgia for those faraway days in which one could read just by the pleasure of reading. The narrator of “Petrarch” confides how it felt to finally graduate from high school at 21 in Mexico City, to be named for a 13th-century poet, and how his hair turned white as a kid. Venezuelan writer Calderón ( The Night) returns with a wonderfully bizarre and dreamlike collection.
0 kommentar(er)
